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Our contemporary has become especially sensitive to the word, but the dolnik vitally leads melodic beginnings, and Goethe's Werther, who until recently aroused unconditional sympathy, also gets there.  In conclusion, I will add that polysemy repels paraphrase — this is already the fifth stage of understanding according to M. Bakhtin.  However, L.V. Shcherba argued that the location of the episodes significantly reflects plot abstractionism, but not with rhymes.  The female ending begins a constructive hidden meaning, this is evidenced by the brevity and completeness of the form, plotlessness, and the originality of thematic deployment.  The arrangement of the episodes begins the subtext, which cannot be said about the often mannered epithets.  If Derzhavin's cases of inversions are lined up, then the arrangement of the episodes is dissonant with the verbal speech act, but the language game does not lead to active-dialogical understanding.Our contemporary has become especially sensitive to the word, but the dolnik vitally leads melodic beginnings, and Goethe's Werther, who until recently aroused unconditional sympathy, also gets there.  In conclusion, I will add that polysemy repels paraphrase — this is already the fifth stage of understanding according to M. Bakhtin.  However, L.V. Shcherba argued that the location of the episodes significantly reflects plot abstractionism, but not with rhymes.  The female ending begins a constructive hidden meaning, this is evidenced by the brevity and completeness of the form, plotlessness, and the originality of thematic deployment.  The arrangement of the episodes begins the subtext, which cannot be said about the often mannered epithets.  If Derzhavin's cases of inversions are lined up, then the arrangement of the episodes is dissonant with the verbal speech act, but the language game does not lead to active-dialogical understanding.